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As the previous entries in the Analog Insight series mention: hand drawing is still a key tool in Marvel’s design process, whether in the initial ideation phases or in the carefully curated creation of rendered images for public approval as in the Orchard Beach case study. To continue this conversation, we want to walk you…

Digital drawing tools make it possible to move quickly between computer-generated models and hand drawn overlays, combining the strengths of each medium. Drawing by hand is intuitive and immediate – there is no intermediate software to master in order to create an image. Meanwhile, digital modeling tools permit working and testing at speed while ensuring…

While the world of architecture gets ever more digital, Paulo Belardi made a compelling argument of why architects should pick up a pencil in the essay Why Architects Still Draw, 2004. With the advent of computer-aided drawing, many were quick to dismiss hand drawing as an anachronism, but by focusing on the sketch, defined by…

An opening art exhibition at 7Lispenard. It is with great honor to discuss the work of four contemporary Puerto Rican painters on display at 7 Lispenard Street in Tribeca, NYC. Rogelio Báez Vega, Nora Nieves, Livia Ortíz, and Efrén Candelaria—all in full control of their craft, are collectively creating a conversation of what it means…

A diverse array of backgrounds, experiences, and worldviews come together to shape Marvels designs across public and private spaces. This series aims to offer insight on the colleagues and teammates that are essential to Marvels success. What brought you to Marvel?  I graduated from Pratt in 2001. My degree and focus were in Communication Design,…